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fate(un)strung 2021/2022

for violin, viola, re-embodied cello and electronics.

"fate(un)strung" was possible due to the support of Edmund Campion, Jeremy Wagner, Carmine-Emanuele Cella, Jean Geoffroy, the CNSMD de Lyon, and the Center for New Music and Audio Technologies (CNMAT).

Written for and premiered by members of Eco Ensemble as part of the CNMAT/CNSMDL collaborative concert.

Premiere Info

Hrabba Atladottir, violin and prepared cello
Ellen Ruth Rose, viola and prepared cello
Electronics (Max/MSP patch) performed by the composer.

Recorded by Jeremy Wagner @ Center for New Music and Audio Technologies, UC Berkeley, California/USA, December 2021.

Program notes:

fate(un)strung is a work for violin, viola, re-embodied cello, and electronics. The piece for two performers is fundamentally a violin and viola duo in which the space of the duo is expanded—and perhaps questioned—by the presence of a cello, without a cellist on stage to perform it. Thus, the cello may become a sounding object divorced from a physical action: a passive agent of diffusion, projecting electronic sounds, pre-recorded cello instrumental gestures, as well as amplifying and altering the sound of the duo on stage. However, as a functioning musical instrument, the cello is also performed by both musicians. The instrument is incorporated into the duo’s common space of action, as well as inhabiting a virtual space of extension of the bodies on stage. There is another dimension of interaction between the performers and the different materials/objects used in sound production, having the act of bowing as a fundamental unifier in sound and in action. The main narrative becomes the contrast in activity along with the inquiry of what instruments are and how to perform them—the breaking of a continuity that is trying to sustain itself or the “fate” of an instrument’s design and its inherent materials. The cello is re-embodied by itself and by others—sounds and bodies—occupying different spaces, inhabiting different temporal points.

Media:

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